I.T. may not be a good movie and certainly the script could’ve gone through a few more re-writes, but thanks to Pierce Brosnan’s earnest performance, and a cameo from Michael Nyqvist, this is worthy of a rental but not much more than that.
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The Final Word on Physical Media
Count Dracula’s Great Love is another poor adaptation from the 1970s and in spite of a respectable enough performance by Paul Naschy, there were far more unintentionally funny scenes instead of scary. This would probably serve well as a Saturday night flick to watch, and mock, with friends.
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An ugly movie from beginning to end, The Orphan Killer was just a bad movie through and through with thin characters and a bad script that we’ve seen numerous times before. As bad as the Saw sequels were, this was even worse even taking the budget into consideration.
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The Twilight Zone: The Complete Series is a fantastic, if not bulky, set that for anyone who hadn’t picked up the individual sets when they were released by Image Entertainment, might be worth the cost in having in one case.
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The Boston Strangler is a well done, if not methodical, crime-suspense-drama featuring a plethora of fine performances from the likes of Henry Fonda and George Kennedy, but the standout is Tony Curtis playing against type as the murderous Albert DeSalvo.
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When the Bough Breaks is a laughably bad and overly clichéd thriller with a story that has been done numerous times, especially on the Lifetime Movie Channel and if not for Morris Chestnut who tried so hard to rise above the awful screenplay, this would be an absolute chore to sit through, and even so, it was still rough sledding.
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Blair Witch wasn’t a complete misfire of a horror film and as found footage movies go, it’s at least tolerable and features an amiable young cast, however thanks to an overabundant usage of sound design and clichéd jump scares, this doesn’t live up to the potential. Good news is, it is better than Book of Shadows so… it has that going for it.
The Driller Killer is certainly an odd little horror-thriller that isn’t technically good per se but fascinating nevertheless with a darkly fun performance from star and director Abel Ferrara (credited as Jimmy Laine).
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