Martin Scorsese’s World Cinema Project No. 2 has some very interesting movies though honestly, I didn’t find them very engaging, but I can appreciate them on a technical level. For hardcore film historians out there, this is well worth picking up as most of these are no doubt hard to come by.
Martin Scorsese’s World Cinema Project
— The Criterion Collection —
(1931/1966/1976/1985/1989/2000)
Genre(s): Drama
Criterion Collection | NR – 477 min. – $124.95 | May 30, 2017
Date Published: 05/30/2017 | Author: The Movieman
ABOUT THIS RELEASE
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Established in 2007, The Film Foundation’s World Cinema Project has maintained a passionate commitment to preserving masterpieces from around the globe, with more than two dozen restorations that have introduced international moviegoers to often-overlooked areas of cinema history. This collector’s set gathers six works, from the Philippines (Insiang), Thailand (Mysterious Object at Noon), Soviet Kazakhstan (Revenge), Brazil (Limite), Turkey (Law of the Border), and Taiwan (Taipei Story). Each title is an essential contribution to the art form and a window onto a distinct filmmaking tradition unfamiliar to many. Insiang (1976) Mysterious Object at Noon (2000) Revenge (1989) Limite (1931) Law of the Border (1966) Taipei Story (1985) |
SPECIAL FEATURES – 2.5/5 |
This 9-disc release (6 DVDs, 3 BDs) are housed in three separate fold outs and are contained in a sturdy outer box. Inside is a nice 60-page essay booklet. Each film has a short (usually 1-2 minutes) Introduction by WCP founder Martin Scorsese. Although they aren’t very long, I found these to be the more interesting feature in this set. There are also Interviews with:
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VIDEO – 4.0/5, AUDIO – 3.25/5
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Each of the 6 movies are presented in varying aspect ratios — Insiang and Law of the Border in 1.37; Revenge in 1.33; Mysterious Object at Noon in 1.60; and Taipei Story in 1.85. Looking at each, shown in 1080p high-definition culled from 2K, 3K or 4K digital restorations, have nice appearances where detail was sharp and I didn’t notice major instances of artifacting, aliasing or other flaws no matter the age of the movie.
As with the picture, each film, save for Limite which is silent, comes in a variety of options in their native languages, in DTS-HD MA: Insiang – Tagalog Mono; Mysterious Object at Noon – Thai 5.1; Revenge – Russian Mono; Law of the Border – Turkish Mono; and Taipei Story – Mandarin and Hokkien Mono. None are particularly noteworthy as these were low budget projects, but even so some showed a modest amount of depth and each did present clear enough dialogue levels. |
OVERALL – 3.0/5 |
Overall, Martin Scorsese’s World Cinema Project No. 2 has some very interesting movies though honestly, I didn’t find them very engaging, but I can appreciate them on a technical level. For hardcore film historians out there, this is well worth picking up as most of these are no doubt hard to come by and received excellent restoration work. |