{"id":8579,"date":"2014-12-11T13:13:27","date_gmt":"2014-12-11T21:13:27","guid":{"rendered":"http:\/\/moviemansguide.com\/main\/?p=8579"},"modified":"2021-04-02T10:27:33","modified_gmt":"2021-04-02T17:27:33","slug":"review-kite-bd","status":"publish","type":"post","link":"https:\/\/moviemansguide.com\/main\/2014\/12\/review-kite-bd\/","title":{"rendered":"Kite Blu-ray Review"},"content":{"rendered":"

\"\"<\/a>Kite<\/em><\/strong> had some potential but only as a competent copy of any number of Luc Besson produced and directed films in spite of an admirable performance by lead actress India Eisley.<\/p>\n

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Kite<\/span>
\n(2014)<\/strong><\/p>\n


\nREVIEW NAVIGATION<\/strong><\/span>
\nThe Movie<\/a> | Special Features<\/a> | Video Quality<\/a> | Audio Quality<\/a> | Overall<\/a><\/strong><\/p>\n

Genre(s): <\/strong>Action, Suspense, Thriller
\nAnchor Bay | R \u2013 90 min. \u2013 $30.99 | December 2, 2014<\/p>\n\n\n\n
\"\"<\/a><\/td>\n <\/b>MOVIE INFO:<\/span>
\nDirected by: <\/strong>Ralph Ziman
\nWriter(s): <\/strong>Yasuomi Umetsu (animated film); Brian Cox (screenplay)
\nCast: <\/strong>India Eisley, Callan McAuliffe, Samuel L. JacksonDISC INFO:<\/span>
\nFeatures: <\/strong>Featurette
\nNumber of Discs: <\/strong>1Audio: <\/strong>English (Dolby TrueHD 5.1)
\nVideo: <\/strong>1080p\/Widescreen 2.35
\nSubtitles: <\/strong>English SDH, Spanish
\nDisc Size: <\/strong>21.6 GB
\nCodec: <\/strong>MPEG-4 AVC
\nRegion(s): <\/strong>A<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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THE MOVIE<\/strong> \u2013 2.25\/5<\/strong><\/h2>\n

Note: <\/strong>This review contains spoilers<\/strong> about the plot.<\/p>\n

\u201cNever underestimate a girl with nothing to lose.\u201d And while we\u2019re at it, never underestimate a movie copying from so many, often times better, movies.<\/p>\n

I should make something clear, I\u2019ve never even heard of the anime Kite<\/em><\/strong> was based on, let alone ever seen it, so I can\u2019t speak to how well it adheres the the source material, though based on reading some comments online, it\u2019s far from it. That said, even without knowing about the anime, this feature film is fairly mundane and even lags despite a short running time.<\/p>\n

Kite<\/em><\/strong> is set in another dystopian society where the financial system has collapsed and hoards of nomads known as \u201cNumbers\u201d scour the streets, kidnapping kids and selling them to what are known as \u201cFlesh-Cartels\u201d led by a man known only as the Emir. Being a dystopia, buildings are in shambles and mostly unoccupied save for the unsavory elements. In any case, our main character is Sawa (INDIA EISLEY) whose father and mother were murdered and since is seeking revenge on the Emir.<\/p>\n

At the film\u2019s opening, she\u2019s going through the ranks of the criminal underworld of human trafficking one-by-one. In our introduction, she quickly dispatches a punk in an elevator. How does she have these skills? Well, we find out Sawa is addicted to a drug known as an \u201camp\u201d which gives the injectee all sorts of Nikita-like skills \u2013 and eliminating bad memories \u2013 in addition for the propensity to wearing skimpy outfits and pink wigs apparently. She receives help, in addition to supplying a fix to her amp addiction, from police detective Karl Aker (SAMUEL L. JACKSON), former partner to Sawa\u2019s dad and who now looks out for her.<\/p>\n

A tip from her elevator kill leads to a middleman which leads to killing his boss and more kills in some, let\u2019s say, creative ways (one such via a vibrator). Shadowing Sawa on her journey of bloodshed is a childhood friend, Oburi (CALLAN MCAULIFFE), whom she can\u2019t remember, but has a connection with her parents\u2019 death.<\/p>\n

As Aker attempts to cover Sawa\u2019s tracks from fellow investigators, she goes on a rampage determined for revenge, and goes further down in the underground criminal world while also cleaning up collateral damage involving a teenage girl whose father was murdered by the Numbers.<\/p>\n

Early on, Kite<\/em><\/strong> actually wasn\u2019t a half bad film, even if does parrot key beats of a Luc Besson action-flick from an ass-kicking lead actress to over-the-top action\/fight scenes and an off-kilter city\/world. Of course, under the direction of Ralph Ziman, filmed in his home country of South Africa, this one lacks the Besson style and has little substance to go with a predictable and mundane script, adapted by Brian Cox based on an apparently popular anime film.<\/p>\n

Performances wise, the cast does what they can with the script they have. Newcomer India Eisley, who played Eve in Underworld: Awakening<\/em>, isn\u2019t bad in the lead role and at least has some charisma; Callan McAuliffe\u2019s role is underutilized and almost feels shoehorned in and a forced love interest; and Samuel L. Jackson is, well, Samuel L. Jackson sans an insane\/over-the-top acting is strangely subdued.<\/p>\n

One of the issues that plague Kite<\/em><\/strong> is that despite a short 83-minute running time, the film does drag and even is a tad boring from the routine fight sequences, again copied from any number of Besson\u2019s movies and its copycats, and a plot that doesn\u2019t quite work especially when we get to a finale anyone could see coming from miles away.<\/p>\n

In the end, Kite<\/em><\/strong> might\u2019ve had some things going for it but thanks to a script that copies so many other, and often better, films to go along with so-so direction, it\u2019s just a film that never quite could come together in spite of a fine lead performance from Eisley.<\/p>\n

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SPECIAL FEATURES \u2013 2.0\/5<\/strong><\/h2>\n

This release comes with a matted, title embossed, slip cover<\/strong>. Inside are the retail DVD Copy<\/strong><\/span> and a redemption code for the Digital Copy<\/strong><\/span>.<\/p>\n

The Making of Kite<\/em> (25:18; HD)<\/strong><\/span> is a relatively lengthy, featurette offering up cast (including Samuel L. Jackson) and crew interviews set against behind the scenes footage and even brief scenes from the anime. It\u2019s nothing extraordinary but a bit more informative than I expected.<\/p>\n

Preview<\/strong> \u2013 The Possession of Michael King<\/em><\/p>\n

\"\"<\/p>\n

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VIDEO \u2013 4.0\/5<\/strong><\/h2>\n

Kite<\/em><\/strong> kicks all sorts of ass, in a half-hearted manner, presented with a 2.35 widescreen aspect ratio and a good-looking 1080p high-definition transfer. The picture is a bit of a mix bag on the one hand with incredible colors from Sawa\u2019s pink hair, her vibrant dresses and various other scenes but at the same time, it\u2019s not the sharpest transfer. Still, black levels are impressive which is good considering it is a dystopian society and even daylight scenes appear bleak.
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AUDIO \u2013 4.0\/5<\/strong><\/h2>\n

The disc comes with a Dolby TrueHD 5.1 track which is effective though not exactly noteworthy. Dialogue does sound crisp and clear throughout and any action\/fight scenes does provide some nice depth but it\u2019s still a bit stifled while ambient noises are softer coming from the rear channels.<\/p>\n

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OVERALL \u2013 2.75\/5<\/strong><\/h2>\n

Overall, Kite<\/em><\/strong> had some potential but only as a competent copy of any number of Luc Besson produced and directed films in spite of an admirable performance by lead actress India Eisley. The Blu-ray released by Anchor Bay is pretty basic with only a decent making-of featurette and slightly above average video and audio transfers.<\/p>\n

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Published: <\/strong>12\/11\/2014<\/p>\n","protected":false},"excerpt":{"rendered":"

Kite had some potential but only as a competent copy of any number of Luc Besson produced and directed films in spite of an admirable performance by lead actress India Eisley.    <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[3371,1501,3370,46],"class_list":["post-8579","post","type-post","status-publish","format-standard","hentry","category-blurayreviews","tag-callan-mcauliffe","tag-india-eisley","tag-kite","tag-samuel-l-jackson"],"_links":{"self":[{"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/posts\/8579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/comments?post=8579"}],"version-history":[{"count":4,"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/posts\/8579\/revisions"}],"predecessor-version":[{"id":25694,"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/posts\/8579\/revisions\/25694"}],"wp:attachment":[{"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/media?parent=8579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/categories?post=8579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/tags?post=8579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}