{"id":5174,"date":"2013-01-11T00:25:36","date_gmt":"2013-01-11T08:25:36","guid":{"rendered":"http:\/\/moviemansguide.com\/main\/?p=5174"},"modified":"2021-05-31T23:25:04","modified_gmt":"2021-06-01T06:25:04","slug":"review-endofwatch-bd","status":"publish","type":"post","link":"https:\/\/moviemansguide.com\/main\/2013\/01\/review-endofwatch-bd\/","title":{"rendered":"End of Watch Blu-ray Review"},"content":{"rendered":"<p><a href=\"https:\/\/moviemansguide.com\/main\/2013\/01\/review-endofwatch-bd\/#more-5174\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" title=\"End of Watch Blu-ray Review\" src=\"http:\/\/www.moviemansguide.com\/images\/main\/logos\/universal-sm.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><b><i>End of Watch<\/i><\/b> is one of the more uniquely shot films of 2012. It\u2019s a mix of \u201cfound footage\u201d style mixed with a gritty tone that Ayer is known for throughout his many cop-centric films. Jake Gyllenhaal and Michael Pena turn in great performances and although the story is a bit weak, the character aspects make up for any shortcomings.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" title=\"*\" src=\"http:\/\/www.moviemansguide.com\/images\/main\/bar_blue.gif\" alt=\"\" width=\"650\" height=\"3\" \/><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B008220CTW\/moviemsguidet-20\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" style=\"border: 2px solid blue;\" title=\"Buy End of Watch on Blu-ray from Amazon.com\" src=\"http:\/\/www.moviemansguide.com\/images\/reviews\/2013\/endofwatch-bd.jpg\" alt=\"\" width=\"300\" height=\"383\" \/><\/a><strong><br \/>\nEnd of Watch (2012)<\/strong><\/p>\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong><br \/>\nREVIEW NAVIGATION<\/strong><\/span><strong><a href=\"#movie\"><br \/>\nThe Movie<\/a> | <a href=\"#features\">Special Features<\/a> | <a href=\"#video\">Video Quality<\/a> | <a href=\"#audio\">Audio Quality<\/a> | <a href=\"#overall\">Overall<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><b>Genre(s): <\/b>Crime, Drama<br \/>\nUniversal | R \u2013 109 min. \u2013 $34.98 | January 22, 2013<\/p>\n<p><b><span style=\"text-decoration: underline;\">MOVIE INFO:<br \/>\n<\/span>Directed by: <\/b>David Ayer<br \/>\n<b>Writer(s): <\/b>David Ayer (written by)<br \/>\n<b>Cast: <\/b>Jake Gyllenhaal, Michael Pena, Anna Kendrick, Natalie Martinez, America Ferrera<\/p>\n<p><b>Theatrical Release Date: <\/b>September 21, 2012<\/p>\n<p><b><span style=\"text-decoration: underline;\">DISC INFO:<br \/>\n<\/span>Features: <\/b>Commentary, Featurettes, Deleted Scenes, DVD Copy, Digital Copy, UltraViolet<br \/>\n<b>Number of Discs: <\/b>2<\/p>\n<p><b>Audio: <\/b>English (DTS-HD MA 5.1)<br \/>\n<b>Video: <\/b>1080p\/Widescreen 1.85<br \/>\n<b>Subtitles: <\/b>English SDH, English, French, Spanish<br \/>\n<b>Disc Size: <\/b>39.2 GB<br \/>\n<b>Codec: <\/b>MPEG-4 AVC<br \/>\n<b>Region(s): <\/b>A<\/p>\n<p>&nbsp;<\/p>\n<p><a name=\"movie\"><\/a><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"*\" src=\"http:\/\/www.moviemansguide.com\/images\/main\/bar_blue.gif\" alt=\"\" width=\"650\" height=\"3\" \/><\/p>\n<h2 style=\"text-align: center;\"><strong>THE MOVIE<\/strong><strong> \u2013 4.0\/5<\/strong><\/h2>\n<p>David Ayer\u2019s latest police drama, which he has now a total of six to his name, is a harrowing and gritty look at life on the streets of the worst parts of L.A. but even more so, a look at the cause and reaction of the two main character\u2019s actions.<\/p>\n<p><b><i>End of Watch<\/i><\/b> is shot in \u201cfound footage\u201d style with a mostly first-person viewpoint via handheld cameras and small ones attached to the character\u2019s clothing. The film follows LAPD officers Brian Taylor (JAKE GYLLENHAAL) and Mike Zavala (MICHAEL PENA) who have not only been working together, taking down bad guys in fierce style, for three years but are also best friends. While Mike has a great woman in Gabby (NATALIE MARTINEZ) at home, Brian has been searching for the right woman and might have found her in Janet (ANNA KENDRICK), a person who matches him in every way.<\/p>\n<p>Brian and Mike patrol the mean streets of Los Angeles taking down bad guys left and right including a drug smuggler with a golden AK-47. In between the street patrols, inner workings and politics within the force, they discuss life, relationships and all that turning this crime drama into a clever, revealing and introspective character drama in addition to the main genre. What\u2019s also nifty is the way Ayer is able to show the passage of time without resorting to on-screen dates.<\/p>\n<p>In any case, through another case they were following, uncover a human smuggling ring which ICE had been investigating. Remember when I said case and reaction? Well, the ring was discovered because, without authorization, Brian tracked down the house via phone records and now the gang in charge wants these two cops taken out.<\/p>\n<p>First and foremost, the script (by Ayer) isn\u2019t the best plot wise; in fact, it\u2019s more background noise more than anything else. However, thanks to two excellent performances from Jake Gyllenhaal and Michael Pena, and Anna Kendrick and Natalie Martinez as well, the character moments more than make up for the script\u2019s shortcomings. I couldn\u2019t help by enjoy seeing Gyllenhaal and Pena together merely driving around in a squad car chatting about seemingly random things and bickering like old friends tend to do. It\u2019s something really to behold and I only wish either Gyllenhaal or Pena received more recognition than they did.<\/p>\n<p>The supporting actors aren\u2019t overly prevalent but they are effective. You have the two female lovelies in Anna Kendrick, who is making a name for herself of late, and Natalie Martinez fulfilling their roles quite nicely. In the villains role, none of them are very good actors though I suppose they present enough of a threat that they\u2019re efficient enough since their characters are one-dimensional and, like the plot, sidelined for the two main characters.<\/p>\n<p><b><i>End of Watch <\/i><\/b>was written, produced and directed by David Ayer, who has made a career out of the cop-crime-drama genres most notably, <i>Training Day<\/i> which landed Denzel Washington a Best Actor Academy Award. Ayer\u2019s other movies are also telling from the breezy <i>The Fast and the Furious<\/i> to the entertaining <i>S.W.A.T.<\/i> to 2005\u2019s equally gritty <i>Harsh Times<\/i> which I didn\u2019t care very much for. He also helmed the cop ensemble <i>Street Kings<\/i> wasn\u2019t bad. Here, although it feels more fly-on-the-wall and essentially improvised, I have to give credit for stitching together a coherent story, if not overly simple, plotline that allows the two actors to shine.<\/p>\n<p><a name=\"features\"><\/a><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" title=\"*\" src=\"http:\/\/www.moviemansguide.com\/images\/main\/bar_blue.gif\" alt=\"\" width=\"650\" height=\"3\" \/><\/p>\n<h2 style=\"text-align: center;\"><strong>SPECIAL FEATURES \u2013 2.5\/5<\/strong><\/h2>\n<p>This release comes with a semi-glossy, title-embossed slip cover. Inside are retail <b><span style=\"text-decoration: underline;\">DVD Copy<\/span><\/b> and a slip with the code to use with either the classic <b><span style=\"text-decoration: underline;\">Digital Copy<\/span><\/b> or the <b><span style=\"text-decoration: underline;\">UltraViolet<\/span><\/b> one. All the features are in HD unless otherwise noted.<\/p>\n<p><b><span style=\"text-decoration: underline;\">Audio Commentary<\/span><\/b> \u2013 This is probably the only useful feature on the disc is this commentary with Writer\/Director David Ayer providing info into the background of the story, filming various scenes and working with the actors.<\/p>\n<p><b><span style=\"text-decoration: underline;\">Deleted Scenes (46:41)<\/span><\/b> \u2013 Here we get an astounding 17 extended and\/or deleted scenes that for one reason or another did not make the final cut. They\u2019re nice on their own but would\u2019ve dragged the film if even half of them were included.<\/p>\n<p>There are a set of five short, EPK <b>featurettes (TRT 11:00)<\/b>: <b><span style=\"text-decoration: underline;\">Fate with a Badge (2:10)<\/span><\/b>, <b><span style=\"text-decoration: underline;\">In the Streets (2:10)<\/span><\/b>, <b><span style=\"text-decoration: underline;\">Women on Watch (2:00)<\/span><\/b>, <b><span style=\"text-decoration: underline;\">Watch Your Six (2:35)<\/span><\/b> and <b><span style=\"text-decoration: underline;\">Honors (2:04)<\/span><\/b>. None of these are particularly insightful and only scratches the surface offering only basic interview sound-bites and behind-the-scenes footage.<\/p>\n<p><b>Previews<\/b> \u2013 <i>Hit &amp; Run<\/i>, <i>Silent Hill: Revelations<\/i>, <i>Guns, Girls &amp; Gambling<\/i>, <i>Death Race 3<\/i>, <i>Side Effects<\/i><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"*\" src=\"http:\/\/www.moviemansguide.com\/images\/main\/bar_blue.gif\" alt=\"\" width=\"650\" height=\"3\" \/><\/p>\n<p><a name=\"video\"><\/a><\/p>\n<h2 style=\"text-align: center;\"><strong>VIDEO \u2013 4.0\/5<\/strong><\/h2>\n<p>Universal Studios Home Entertainment releases <b><i>End of Watch<\/i><\/b> presented in its original 1.85 widescreen aspect ratio and a 1080p high-def transfer. This one is tough to judge because most of the film not only uses handheld-type cameras, and smaller ones, but it\u2019s also at many points fairly shaky as well. Colors for the most part look washed out while the detail levels are at least decent. The picture also has a fair amount of natural film noise. I\u2019m pretty certain that this was the intent of the director and cinematographer, so there\u2019s nothing wrong with the picture, it just doesn\u2019t lend to an extraordinary transfer.<br \/>\n<a name=\"audio\"><\/a><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"*\" src=\"http:\/\/www.moviemansguide.com\/images\/main\/bar_blue.gif\" alt=\"\" width=\"650\" height=\"3\" \/><\/p>\n<h2 style=\"text-align: center;\"><strong>AUDIO \u2013 4.25\/5<\/strong><\/h2>\n<p>The 5.1 DTS-HD Master Audio track is effective but hardly noteworthy. The dialogue audio as you might expect kind of match the type of cameras being used which means it\u2019s not very loud though it is clear enough. When the film goes outside of the handhelds and minis, including a rocking soundtrack, then things pick up and make use of the surrounds and LFE channel.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"*\" src=\"http:\/\/www.moviemansguide.com\/images\/main\/bar_blue.gif\" alt=\"\" width=\"650\" height=\"3\" \/><br \/>\n<a name=\"overall\"><\/a><\/p>\n<h2 style=\"text-align: center;\"><strong>OVERALL \u2013 3.5\/5<\/strong><\/h2>\n<p>Overall, <b><i>End of Watch<\/i><\/b> is one of the more uniquely shot films of 2012. It\u2019s a mix of \u201cfound footage\u201d style mixed with a gritty tone that Ayer is known for throughout his many cop-centric films. Jake Gyllenhaal and Michael Pena turn in great performances and although the story is a bit weak, the character aspects make up for any shortcomings. Because of the style, the picture isn\u2019t the prettiest, the audio, outside of the score\/music, is nondescript and the features are forgettable. Even so, the movie is good enough to at least try out once via rental.<\/p>\n<p>&nbsp;<\/p>\n<p><i>The Movieman<br \/>\n<\/i><b>Published: <\/b>01\/11\/2013<\/p>\n","protected":false},"excerpt":{"rendered":"<p>End of Watch is one of the more uniquely shot films of 2012. It\u2019s a mix of \u201cfound footage\u201d style mixed with a gritty tone that Ayer is known for throughout his many cop-centric films. Jake Gyllenhaal and Michael Pena turn in great performances and although the story is a bit weak, the character aspects &hellip; <a href=\"https:\/\/moviemansguide.com\/main\/2013\/01\/review-endofwatch-bd\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;End of Watch Blu-ray Review&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[443,1822,1821,381,1391],"class_list":["post-5174","post","type-post","status-publish","format-standard","hentry","category-blurayreviews","tag-anna-kendrick","tag-david-ayer","tag-end-of-watch","tag-jake-gyllenhaal","tag-michael-pena"],"_links":{"self":[{"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/posts\/5174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/comments?post=5174"}],"version-history":[{"count":5,"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/posts\/5174\/revisions"}],"predecessor-version":[{"id":26349,"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/posts\/5174\/revisions\/26349"}],"wp:attachment":[{"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/media?parent=5174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/categories?post=5174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviemansguide.com\/main\/wp-json\/wp\/v2\/tags?post=5174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}