{"id":22784,"date":"2020-01-26T19:22:54","date_gmt":"2020-01-27T03:22:54","guid":{"rendered":"http:\/\/moviemansguide.com\/main\/?p=22784"},"modified":"2020-12-20T14:47:03","modified_gmt":"2020-12-20T22:47:03","slug":"review-terminator-dark-fate-4k-bd","status":"publish","type":"post","link":"https:\/\/moviemansguide.com\/main\/2020\/01\/review-terminator-dark-fate-4k-bd\/","title":{"rendered":"Terminator: Dark Fate 4K Ultra HD & Blu-ray Review"},"content":{"rendered":"

\"\"<\/a>Terminator: Dark Fate<\/em><\/strong> is probably the movie that should have been made 10+ years ago as on the whole, the story was adequate, if not fully fleshed out, and I did like this cast, and newcomer Natalia Reyes was pretty impressive.<\/p>\n

 <\/p>\n

<\/p>\n

 <\/p>\n

\"\"<\/p>\n

Terminator: Dark Fate<\/span>
\n(2019)<\/span>
\n<\/strong><\/span><\/p>\n

Genre(s): <\/strong>Science Fiction, Action<\/span>
\nParamount | R \u2013 128 min. \u2013 $44.99 | January 28, 2020<\/span><\/p>\n

Date Published:<\/strong> 01\/26\/2020 | Author:<\/strong> The Movieman<\/span><\/p>\n\n\n\n
\"\"<\/p>\n\n\n\n\n
\"\"
\n<\/strong><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n\n\n
\n

MOVIE INFO:
\n<\/u><\/strong>Directed by: <\/strong>Tim Miller
\nWriter(s): <\/strong>Gale Anne Hurd & James Cameron (characters); James Cameron & Charles Eglee & Josh Friedman & David Goyer & Justin Rhodes (story), David Goyer & Justin Rhodes and Billy Ray (screenplay)
\nCast: <\/strong>Linda Hamilton, Arnold Schwarzenegger, Mackenzie Davis, Natalia Reyes, Gabriel Luna<\/span><\/p>\n

\n<\/td>\n<\/tr>\n
DISC INFO:
\n<\/u><\/strong>Features: <\/strong>Featurettes, Deleted Scenes
\nSlip Cover: <\/strong>Yes
\nDigital Copy: <\/strong>Yes
\nFormats Included: <\/strong>4K, Blu-ray
\nNumber of Discs: <\/strong>2<\/span><\/p>\n
\n<\/td>\n<\/tr>\n
Audio: (4K\/BD) <\/strong>English (Dolby Atmos), French (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
\nVideo (4K): <\/strong>2160p\/Widescreen 2.38
\nVideo (BD): <\/strong>1080p\/Widescreen 2.38
\nDynamic Range: <\/strong>HDR10, Dolby Vision
\nSubtitles: <\/strong>English SDH, French, Spanish
\nCodecs: <\/strong>HEVC \/ H.265 (4K), MPEG-4 AVC (BD)
\nRegion(s): <\/strong>A, B, C<\/span><\/p>\n
\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Paramount provided me with a free copy of the Blu-ray I reviewed in this Blog Post.<\/strong><\/span>
\nThe opinions I share are my own.<\/strong><\/span><\/p>\n

Note:\u00a0The screen captures were taken from the Blu-ray disc and\u00a0do not<\/span> represent the 4K Ultra HD transfer.<\/span><\/p>\n

\"\"
\n\"\"<\/a><\/p>\n\n\n\n\n
\n

THE MOVIE \u2014 3.5\/5<\/strong><\/span><\/h3>\n
\n<\/td>\n<\/tr>\n

\n

Plot Synopsis: <\/strong>In Mexico City, a newly modified liquid Terminator — the Rev-9 model (GABRIEL LUNA) — arrives from the future to kill young factory worker Dani Ramos (NATALIA REYES). Also sent back in time is Grace (MACKENZIE DAVIS), a hybrid cyborg human who must protect Ramos from the seemingly indestructible robotic assassin. But the two women soon find some much-needed help from a pair of unexpected allies — seasoned warrior Sarah Connor (LINDA HAMILTON) and the T-800 Terminator (ARNOLD SCHWARZENEGGER).<\/p>\n

Review: <\/strong>Movies that involve time travel are always tricky, even done to perfection \u2013 or near \u2013 like the Back to the Future<\/em> trilogy, and tend to be messy. Very few are messier than the Terminator<\/em> franchise, arguably even more so than X-Men<\/em>, but even that one consistently retained the same cast. Terminator: Dark Fate<\/em><\/strong> is Paramount (with Fox) second attempt at a reboot following 2015\u2019s Genysis<\/em>, and was a box office disappointment, but still on the edge (thanks to China) where it fooled executives into thinking there still was a market out there for this tired franchise.<\/p>\n

\"\"<\/a><\/p>\n

Terminator: Dark Fate<\/em><\/strong> marks the return of James Cameron, in a participatory role, though not sure how much meaning it has given his stamp of approval for Genysis<\/em> after all. Now, must admit, I didn\u2019t mind Genysis<\/em> but I\u2019m also not a massive Terminator<\/em> fan (love the first two; indifferent from there on), and frankly, I actually found Dark Fate<\/em><\/strong> to be a relatively passable popcorn flick with entertaining action set pieces. That said, there were some pacing issues and I can\u2019t be sure if that was due to two competing visions, one from director Tim Miller, the other from Cameron, the series\u2019 creator.<\/p>\n

I even liked the two newcomers, Mackenzie Davis and Natalia Reyes, the latter especially was impressive, shame her storyline will evolve further. Returning veterans Linda Hamilton and Arnold Schwarzenegger are in their elements, though admittedly when it comes to Hamilton, her character would\u2019ve benefited seeing her change over the course of 2-3 movies, so it does take some time adjusting. But still, all involved seemed to give it their all, even old-man Terminator (not the same ring as Old Man Logan) wasn\u2019t half bad, though amusing that he has become a family man living in the middle of the woods, yet Schwarzenegger, now in his 70s, still has the charisma for the role.<\/p>\n

\"\"<\/a><\/p>\n

Now how<\/em> Schwarzenegger\u2019s T-100 Terminator comes back into the picture was, to say the least, a bit of a stretch sending anonymous texts to Sarah \u2014 as atonement for killing John at the opening after sensing changes in time before other Terminators arrive. Pretty clunky, and shortsighted writing.<\/p>\n

As mentioned, directing this sixth \u201centry\u201d (so to speak) is Tim Miller whose name to fame was bringing Deadpool<\/em> to the big screen in conjunction with Ryan Reynolds, though he departed the sequel, rumor has it, after clashing with Reynolds on control. So it is a bit ironic I suppose that he comes to this movie, probably with a specific vision, only to clash with James Cameron who marks his official return (credited as story writer and producer), apparently taking time out from working on his 5 Avatar<\/em> sequels or whatever.<\/p>\n

Speaking of the writing, and perhaps why this didn\u2019t feel entirely like a cohesive movie, Cameron was one of five<\/u> story writers which included David S. Goyer (Batman Begins<\/em>, The Dark Knight<\/em>), not entirely a high caliber screenwriter, along with a few others such as Billy Ray (The Hunger Games<\/em>, Overlord<\/em> and Gemini Man<\/em>). It\u2019s rarely a good thing to have so many writers, and these were the ones credited, who knows how there were as part of some writers\u2019 room\u2026<\/p>\n

\"\"<\/a><\/p>\n

In the end, Terminator: Dark Fate<\/em><\/strong> was a perfectly serviceable sci-fi action-adventure flick that probably came out too late and with Genysis<\/em> already attempting a reboot, this was just one too many for the franchise, and sadly another film with an open-ended finale that likely will not be resolved.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

\"\"<\/p>\n\n\n\n\n
\n

SPECIAL FEATURES \u2013 3.0\/5<\/strong><\/span><\/h3>\n
\n<\/td>\n<\/tr>\n

\n

This release comes with a glossy, title-embossed, slip cover<\/strong> and inside is the code for the Digital HD<\/strong> copy.<\/p>\n

Deleted\/Extended Scenes (8:54)<\/u><\/strong> \u2014 Six scenes here, most of them inconsequential to the plot, but still worth watching.<\/p>\n

The Legend Reforged (20:11)<\/u><\/strong> \u2014 Featurette on revisiting the franchise with a \u201cnew\u201d vision; includes interviews by the cast (including Schwarzenegger, Hamilton, Davis, Reyes, etc) and the crew (Miller, Cameron, et al), set against behind-the-scenes footage.<\/p>\n

World Builders (32:46)<\/u><\/strong> looks at the tone and look of the film, breaking down how the opening scene was done, shooting in Spain as a stand-in for Mexico, amongst other highlights of the production.<\/p>\n

Dam Busters: The Final Showdown (8:30)<\/u><\/strong> takes a specific look at how the climax of the film was shot.<\/p>\n

VFX Breakdown: The Dragonfly (2:33)<\/u><\/strong> \u2014 Here we get a short feature seeing the visual effects work on the… flash forward sequence.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

\"\"<\/p>\n

\"\"<\/a>
\n<\/span><\/strong><\/p>\n\n\n\n\n
\n

4K VIDEO \u2013 4.75\/5, BD VIDEO \u2013 4.75\/5<\/strong><\/span><\/h3>\n
\n<\/td>\n<\/tr>\n

Paramount unleashes Terminator: Dark Fate<\/em><\/strong> onto 4K Ultra HD and Blu-ray presented with a 2.40 widescreen aspect ratio and given 2160p and 1080p high-definition transfers respectively. The picture here does look brilliant, with some bright, vibrant colors in the daylight scenes thanks to the HDR, while black levels also looked good with a nice starkness to them without seeming crushed. That said, and this is a symptom on how the movie was shot, there were some key night scenes, it was extremely difficult to see what the hell was happening (which does keep this from being reference quality), this was true on both the 4K and Blu-ray discs. Still, details on the two formats were sharp with an edge of course given to the 4K transfer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n\n\n\n\n
\n

AUDIO \u2013 5.0\/5<\/strong><\/span><\/h3>\n
\n<\/td>\n<\/tr>\n

Both formats come with a Dolby Atmos track and this is the kind of movie that takes advantage outputting some great depth during the action scenes while being even-keeled for the dialogue levels via the center speaker.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

\"\"
\n\"\"<\/a><\/p>\n\n\n\n\n
\n

OVERALL \u2013 4.0\/5<\/strong><\/span><\/h3>\n
\n<\/td>\n<\/tr>\n

\n

Terminator: Dark Fate<\/em><\/strong> is probably the movie that should have been made 10+ years ago as on the whole, the story was adequate, if not fully fleshed out, and I did like this cast, and newcomer Natalia Reyes was pretty impressive, though with being absent so long, it was hard to fully buy into this version of Sarah Connor. But with the lackluster box office, if there are future installments, seems like\u00a0 it could head to streaming.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n