The Rescuers and its sequel The Rescuers Down Under are both fun action-adventure films for both kids and adults alike with some great voice talents headlined by Bob Newhart and Eva Gabor
Jaws might not have been impressive as I had hoped, but understanding the cultural, and box office, impact it has had puts it in a different light versus others. The film might lack substance but it more than makes up for it in well-rounded characters, great casting and impressive practical effects.
Halloween 5 is really the first film in the series I disliked. The premise is ridiculous even one where the villain can’t be killed and gets out of every situation seemingly unscathed. Still, the plot is slow to develop and the acting is pretty bad especially from Donald Pleasence who I get his performance where his character has become increasingly obsessed but it comes off a bit cartoony.
Halloween 4: The Return of Michael Myers pales in comparison to the original but it’s certainly better than its successors, albeit that’s not really saying a whole lot. The acting is, at best, hokey and the story is almost paint-by-numbers and sometimes painfully slows, but I’ve come to expect that from this series.
Those who were disappointed with the 2006 bare bones Blu-ray release of Total Recall will be overjoyed with this new “Mind-Bending Edition” from Lionsgate, the latest in a long line of home video releases. While a few features were left off from the DVD version, there’s a few new features that are absolutely fascinating to watch and at a price point under $10, it’s well worth picking up.
Although there is a coherent story for LOL, for whatever reason, while watching, something felt “off”. I’m not sure if it’s a translation thing going from French to English but whatever reason it results in a film featuring several melodramatic scenes which are utterly laughable rather than significantly effective.
Lockout isn’t a bad movie but it’s hardly a memorable one. It’s yet another sci-fi thriller which fades into the background with the other wannabes. The visual effects is pretty bad especially early-on and the characters are one-dimensional but at the same time, at only 90-minutes (sans credits), it’s at an OK time-waster, nothing more, however.
Silent House is yet another film that spoiled its potential. Despite some suspense-filled scenes and an interesting idea of portraying it as one shot, the finale was just dumb and when looking back at the movie as a whole, it doesn’t make sense. Elizabeth Olsen for her part was good and the first 65-minutes or so were great, but the ending spoiled it all.