Mar 312020

Daphne Inherit the Viper is a crime-drama starring Josh Hartnett, Margarita Levieva, Owen Teague, Chandler Riggs and Bruce Dern and available for purchase on Blu-ray, DVD and Digitally.



Inherit the Viper

Genre(s): Drama, Suspense, Crime
Lionsgate | R – 84 min. – $22.99 | March 10, 2020

Date Published: 03/31/2020 | Author: The Movieman

Directed by: Anthony Jerjen
Writer(s): Andrew Crabtree (written by)
Cast: Josh Hartnett, Margarita Levieva, Owen Teague, Dash Mihok, Bruce Dern, Vajorie Curry, Chandler Riggs, Brad William Henke, Tara Buck

Features: None
Slip Cover: Yes
Digital Copy: Yes
Formats Included: Blu-ray, DVD
Number of Discs: 2

Audio: English (DTS-HD MA 5.1)
Video: 1080p/Widescreen 2.39
Subtitles: English SDH, Spanish
Disc Size: 23.04 GB
Total Bitrate: 34.26 Mbps
Codecs: MPEG-4 AVC
Region(s): A

Lionsgate provided me with a free copy of the Blu-ray I reviewed in this Blog Post.
The opinions I share are my own.


For siblings Kip (JOSH HARTNETT) and Josie (MARGARITA LEVIEVA), dealing opioids isn’t just their family business — it’s their only means of survival. When a deal goes fatally wrong, Kip decides he wants out. But Kip’s attempt to escape his family’s legacy ignites a powder keg of violence and betrayal, imperiling Kip, Josie, and their younger brother, Boots (OWEN TEAGUE), in this crime-thriller that builds to a shattering inclusion.



This release comes with a matted slip cover. Inside is a redemption code for the Digital HD copy. No features were included.


VIDEO – 4.25/5

Inherit the Viper comes to Blu-ray, presented with a 2.39 widescreen aspect ratio and a 1080p high-definition transfer. The picture here looks quite good, detail is sharp and black levels, for which there is plenty of as a good portion of the movie either takes place at night or in a dank location, is stark with no apparent signs of aliasing or artifacting.

AUDIO – 4.5/5

The DTS-HD Master Audio 5.1 track isn’t anything overcomplicated, the majority is basically dialogue with some minor depth for the gunplay, otherwise the bulk comes through the center channel with relative clarity with the rear channels mainly being utilized for the score and some minor ambient noises.


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