Knowing did very much remind me of an M. Night Shyamalan movie (both times viewing now) but unlike some of his later works beyond The Sixth Sense, I think Alex Proyas did convey a level of authentic emotion that really worked.
It’s, well, Inconceivable how a movie like this could get made as the story has been done numerous times before, no doubt countless Lifetime Movies, but worst of all, been done better before with the likes of The Hand That Rocks the Cradle. As it is, there’s not much to really enjoy from this.
Lionsgate Home Entertainment has announced the date and released artwork for the action-superhero flick, Kick-Ass starring Aaron Johnson, Christopher Mintz-Plasse, Chloe Grace Moretz, Mark Strong and Nicholas Cage. Click on the link below or image to the left to check out the features and artwork.
Well intentioned as it might have been, and telling a World War II story that’s probably not familiar to the average American, USS Indianapolis: Men of Courage features lazy performances, especially by Nicolas Cage though he does have a couple okay scenes, and some laughable visual effects.
Lionsgate has announced the date and released artwork for the crime-thriller, Arsenal starring Adrian Grenier, John Cusack and Nicolas Cage and directed by Steven C. Miller (Extraction, Marauders). Click on the link below or image to the left to check out the features and artwork.
Ultimately Oliver Stone actually does a disservice what Snowden did in revealing the illegal surveillance program by embellishing some aspects to the point that it calls into question some of the other actions taken, but to be clear, what was done I approve, just not a fan of the messenger
The Trust had a lot going for it if only the filmmakers could’ve kept the (dark) comedy aspect in the crime-caper going through the third act but we get an almost 180 flip and although it goes to the title, it doesn’t make much sense and not entirely earned. As such, this is at best a rental mainly for the first 2/3rds and some, well, interesting line-readings by Nicolas Cage.
Amos & Andrew is kind of a lost comedy from the 1990s (akin to Quick Change and Another Stakeout) and although it’s not hilarious, it is a lot of fun to watch two normally over-the-top actors playing against one another in Nicolas Cage and Samuel L. Jackson and add in Dabney Coleman and it’s rather entertaining.
It’s become common place for a few years to find Nicolas Cage on the front cover a direct-to-video movie and normally I can appreciate it for his insane performance but with Outcast he’s merely a supporting player with the charmless Hayden Christensen taking front stage. It’s not a well made movie but it’s also not terrible, just utterly forgettable and even boring.
Dying of the Light seems to be a cautionary tale as well as show the perhaps seedy side of Hollywood when a project gets taken away from the filmmaker. In fairness, and it is a distinct possibility, that there might be more to the story but the final cut we get here is a mess and worse, a boring and dull mess at that. Nicolas Cage actually wasn’t too bad and there are some interesting elements but I would’ve loved to have seen Shrader’s version.
Left Behind is a mess of a film with bad acting, terribly dialogue and an all-around poorly written screenplay. It’s also apparent why Nicolas Cage took on this role, which he mostly slept walked through, as he obviously needed to pay off the IRS, a mortgage and others odds and ends. I get what the filmmakers were going after but it comes off as amateurish and had more unintentional funny moments more than anything.