The Focus Features: 10-Movie Spotlight Collection is a good selection of dramas, some better than others and one that is a personal favorite of mine (Lost in Translation). That being said, this is only worth picking up if you don’t own any of the 10 films, though the cost per movie is reasonable.
First Snow might not have the strongest writing but performances from both Guy Pearce and J.K. Simmons, albeit a small role, does make this a worthwhile watch.
I never really watched the original run of Veronica Mars outside of a clip here and there, so going in I didn’t really have any warm memories though I know some avid fans didn’t care for this revival but for me, I found it passably entertaining.
, The Front Runner from a technical and acting standpoint is a perfectly fine movie. But the issue comes from the fact it’s not all that important, or at least as important as the filmmakers want it to be, with the ideas presented.
Lionsgate Home Entertainment has announced the date and released artwork for the action-thriller, American Renegades starring Sullivan Stapleton and J.K. Simmons. Click on the link below or image to the left to check out the features and artwork.
Autumn in New York is your run-of-the-mill romance-drama that you’ve seen before and has been done over the years since and although both Richard Gere and Winona Ryder give solid performances, neither shared great chemistry with the other.
Terminator Genisys will (and has) no doubt pissed off plenty of fans but taking emotion out of it, I actually didn’t think it was awful. The action scenes, albeit generic at times, were at least well shot, and the return of Arnold Schwarzenegger as Guardian was welcome. In spite of those, it’s at least a passable and entertaining flick.
Father Figures is just the latest in the litany of forgettable throwaway duo/buddy comedies that constantly come down the line and are in-and-out of theaters. That said, it’s not horrible and it did have a few laughs, but otherwise I won’t see it again.
Even though I did find Justice League entertaining enough, there’s no denying there was a certain amount of disappointment leading to the build-up and not being able to see what was originally intended, not to mention the deleted footage seen in the various trailers. If you go in just expecting a insubstantial popcorn flick, it’s fine, but it certainly did not live up to the title.
Rock Dog a third tier animated movie that was based off of a Chinese story and the style, while pleasant enough, has a thin story and, at best, so-so voice performances. For adults it might be somewhat tedious to sit through, but for younger viewers, it’s harmless enough.
The Accountant is a well done, albeit short of greatness, suspense-thriller from director Gavin O’Connor featuring a great performance from Ben Affleck with honorable mention for J.K. Simmons.
Kung Fu Panda is perhaps one of the better franchises outside of the Pixar/Disney brand and certainly well above the likes of Madagascar and Ice Age. Still, as family friendly as this third entry is, to go along with a positive message, I wasn’t nearly as entertained though admittedly I found the first two to be merely above average fare anyway.
Zootopia is on the heavy-handed side of its message however it’s a good one that would be beneficial to kids (and their parents for that matter). The animation is fantastic and the humor mostly works as does the voice talent involved.
Terminator Genisys will (and has) no doubt pissed off plenty of fans but taking emotion out of it, I actually didn’t think it was awful. The action scenes, albeit generic at times, were at least well shot, and the return of Arnold Schwarzenegger as Guardian was welcome and helped overshadow some of the shortcomings. In spite of those, it’s at least a passable and entertaining flick, though don’t go in expecting much.
The Rewrite is a film that ironically enough, doesn’t have the best screenplay but heavily relies on the charm and appeal of Hugh Grant and Marisa Tomei and also helping making this at least a rental is Grant re-teaming with Marc Lawrence (Two Weeks Notice, Music and Lyrics) and very well may be semi-autobiographical.