Haven isn’t one of the top notch amongst the interconnected ensemble dramas and really doesn’t have a whole lot to say, though thankfully not as heavy-handed but I generally thought the performances were alright at least.
Weird Science might be a lesser movie from the great John Hughes filmography but that’s hardly a slight against the film as it does have some great heart at its core alongside a great cast.
Streets of Fire is a rare breed of film that features a unique yet familiar style and with some interesting casting choices, two of them brilliant with the young Diane Lane and Willem Dafoe.
The first three Predator movies are fine entertainment with the sequels not quite reaching the level of excellence in my book, though I do greatly prefer the first movie over the others if only for the quality direction from McTiernan and Schwarzenegger’s tough man and charm appeal.
The 9 Lives Movie Collection is the usual cheap release put out by Mill Creek mostly recycling Sony movies they have the rights for and probably were part of a collection in the past. Considering the movies here, you’re really not getting high quality work but some entertaining flicks mixed in with some bad ones
The Circle had plenty of potential but it’s for naught with not-so-subtle lines of dialogue combined with an uneven/unfocused story, with unintentionally funny scenes, that never worked and probably would’ve been better served as dark satire.
Streets of Fire is a rare breed of film that features a unique yet familiar style and with some interesting casting choices, two of them brilliant with the young Diane Lane and Willem Dafoe.
I’m giving this a 2.5/5 not because Aliens is a bad movie, far from it, but that it’s a blatant cash grab by Fox. Now, one could argue this is for the casual movie watcher but for fans, all you’re getting is new packaging and “collectable art cards” and a booklet.
I give a brief breakdown on Mill Creek’s June 7th multi-movie pack releases, specifically Streets of Fear and Midnight Movie Madness. None of these movies are of high-quality and are mainly remembered for the stars sometimes in smaller roles. At basement bargain prices, these might be worthy for collector’s of these cheap sets.
Term Life for sure is not a good movie but I’d be lying if I didn’t say I was at least moderately entertained. At only 90-minutes long, it’s a decent enough time-waster but that’s about the extent of it for a movie that will easily be lost in the shuffle of the numerous STV releases.
Needless to say The Beast (Le Bete) is certainly one of the more… unusual films I’ve come across. However, it’s not for everybody and frankly, as strange as it is, and actually the performances aren’t half bad all things considered, I’m not sure if this is one I’ll ever revisit.
I’m not entirely sure how Aloha got off the ground but as one of the subjects of the Sony hack, it might’ve been doomed from the get-go and for good reason: it’s a film with a haphazard plot but worst of all, the cast share absolutely no chemistry in spite of featuring some fine actors. Bottom line, this is a movie destined for the bargain bin and later air on USA.
Beyond the Lights is one of the better surprises to come out of 2014 with a compelling, if not formulaic melodramatic, story that is highlighted by a breakout performance by Gugu Mbatha-Raw who hopefully finds more lead roles beyond television. The Blu-ray released by Fox includes a decent amount of bonus material and fantastic video/audio transfers.
Laggies is an uneven drama-comedy but it propped up and propelled by a charming performance from the cute and adorable Keira Knightley proving she can excel in spite of any issues with the screenplay, in this case it’s just not a memorable story. Sam Rockwell also works well opposite Knightley and although she’s nothing overly noteworthy, Chloe Grace Moretz turns in a passable performance.
Nightcrawler is one of the more stomach-churning films but not for the violence but Jake Gyllenhaal’s performance proving once again, following great turns in Prisoners and Zodiac, to be a versatile actor. But even putting him aside, Dan Gilroy’s satirical screenplay is just one other reason to see this film, it’s akin to a dark and grittier version of Network.